« Her album may be considered, in the Russian tradition, as the newest vision of Scriabin’s piano works. […] The fact that the pianist has managed to develop her own personal style is of particular value, and a quality that is so rarely found in our contemporary artists. Her style is inseparable from a brillant mastery of rubato and a subtle play on the colors of the dynamics. The pianist builds in a consistent and continued manner her musical thought in great forms. The Fourth and Ninth Sonatas leave a particularly convincing impression and belong without any doubt to the interpreter’s great artistic achievements. She confers unusual depth and richness to the preludes op. 11, too often treated lightly and simplified. »
